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Another change that’s swept through the charts since 1980 is the steady disappearance of white men. In 1980, more than half the artists at No. 1 were white men; in 2010, the only white guy in the top spot was Eminem. Today’s pop world is female, African-American, and Latino, dance-pop and hip-hop and R&B. The audiences it’s usually associated with are female, African-American, Latin, gay, and young. And the music running through the charts is filled with qualities that look a lot like the aspirations and survival strategies of people who’ve felt marginalized—people for whom ego and self-worth can be existential issues, not just matters of etiquette. This isn’t some arcane sociological observation; empowerment is a selling point of the music itself. In defense of pop", Nitsuh Abebe.

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